ARTISTS' PRINT: GIVING LIBATION TO JOHN SINGER SARGENT'S DEAD BIRD STUDY OF 1878
Gracia Haby & Louise Jennison
1. Giving libation to John Singer Sargent’s dead bird study of 1878 (limestone and rose)
2. Giving libation to John Singer Sargent’s dead bird study of 1878 (limestone and gold)
Inkjet print on Hahnemühle Photo Rag 308gsm.
Five unframed copies of each print, from an edition of 15.
Image size 15cm X 11cm
Paper size 21cm X 15cm
Two prints created especially for Port Jackson Press Print Gallery’s group exhibition, Tracing the Line in Australian Contemporary Printmaking, 2017.
Gracia Haby & Louise Jennison
1. Giving libation to John Singer Sargent’s dead bird study of 1878 (limestone and rose)
2. Giving libation to John Singer Sargent’s dead bird study of 1878 (limestone and gold)
Inkjet print on Hahnemühle Photo Rag 308gsm.
Five unframed copies of each print, from an edition of 15.
Image size 15cm X 11cm
Paper size 21cm X 15cm
Two prints created especially for Port Jackson Press Print Gallery’s group exhibition, Tracing the Line in Australian Contemporary Printmaking, 2017.
Gracia Haby & Louise Jennison
1. Giving libation to John Singer Sargent’s dead bird study of 1878 (limestone and rose)
2. Giving libation to John Singer Sargent’s dead bird study of 1878 (limestone and gold)
Inkjet print on Hahnemühle Photo Rag 308gsm.
Five unframed copies of each print, from an edition of 15.
Image size 15cm X 11cm
Paper size 21cm X 15cm
Two prints created especially for Port Jackson Press Print Gallery’s group exhibition, Tracing the Line in Australian Contemporary Printmaking, 2017.
About this work
The original oil on canvas studies by John Singer Sargent are on view at the The Met Fifth Avenue in Gallery 774.
Discover more: Tracing the Line in Australian Contemporary Printmaking
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